2016
CHEN Chih Ting Timmy (PhD Musicology)
In the Mood for Music: Sonic Extraterritoriality and Musical Exchange in Hong Kong Cinema
Rayson Huang Scholarship in Music 2012/13, Li Ka Shing Prize 2016/17
LEE Heung Fai Kelvin (MPhil Musicology)
Mahler’s Dramaturgy of Sonata Form: The Late Symphonies
Estela IBANEZ-GARCIA (PhD Musicology)
Music in Play on Screen: Performing Reality in Ingmar Bergman's Late Work
Rayson Huang Scholarship in Music 2014/15
SHAO Li Tang Kiko (PhD in Composition)
Culturally Informed Music: Portfolio of Original Compositions
Morton WAN (MPhil Musicology)
Embodied Meanings in Beethoven’s Last Three Piano Sonatas Opp. 109, 110, and 111
Rayson Huang Scholarship in Music 2013/14, Li Ka Shing Prize 2014/15
2015
Juliette O'BRIEN (PhD Musicology)
Global Perspectives on Dance: Salsa and Bharatanatyam
PANG Pui Ling Irene (PhD Musicology)
Reflecting Musically: The Shanghai Municipal Orchestra as a Semi-colonial Construct
Linus Kristofer SVENSSON (MPhil Composition)
The Use of Just Intonation in My Recent Compositions
WANG Shuang (PhD Musicology)
From Stage to Screen: The Legacy of Traditional Chinese Theatre in the Soundtracks of King Hu’s Films
2014
FU Ka Man Francis (MPhil Composition)
Playing with the Voice: Hatsune Miku and Vocaloid Culture in Contemporary Japan
FUNG Dic Lun Gordon (MPhil Composition)
Timbre as a Structural Device in Compositions
Rayson Huang Scholarship in Music 2012/13
LEUNG Ki Ki (MPhil Musicology)
Listening for the "Spirit" of the Symphonies: Program Notes and the Construction of the Soviet Hero
KYE Hee Seng (PhD Musicology)
The Third Voice: Anima as Drama in Mozart’s Operas
NG King Pan (PhD Composition)
Composing for Chinese Instrumental Ensemble: A Practitioner's Perspective
WYLEGALA Hamabe Yoko (PhD Composition)
Audience Accessibility: Applying Game Rules in Music Composition
2013
Carrie Alita CARTER (MPhil Musicology)
Inventing Taiko
Rayson Huang Scholarship in Music 2011/12
CHENG Chung Kei Edmund (PhD Musicology)
Executive Mismatch and Robert Schumann’s Hand Injury: Tranquil Execution, Widely-Extended Textures, and Early Nineteenth-Century Pianism
CHEUNG Kwok Hung Stephen (PhD Musicology)
Traditional Music and Ethnicity: A Study of Hakka Shange
Letty POON (PhD Musicology)
The Piano as Cultural Capital in Hong Kong
MA Duan Yang Lisa (MPhil Musicology)
Music and Emotions Reconsidered: Towards a Holistic Approach to Understanding Musical Experience
TSE Tai Shun (MPhil Composition)
A Portfolio of Three Compositions: Improvisation as a Structural Device
