UNDERGRADUATE
MUSI3037 Opera (capstone experience)
Course Type: disciplinary elective for music majors/minors, free elective for others
Prerequisite: NIL
Instructor: Prof. Giorgio BIANCORROSO
Semester: Second Semester 2023/24
Time: 12:30pm-2:20pm, Wednesday
Venue: CPD-LG1.22 Rehearsal Room
This course will chart the history of opera in the Western world in both its relationship to social and political history and that of other major musical and theatrical genres.Through the close reading of the genre, students will learn about opera as the art of singing, poetry, and stagecraft, and make their acquaintance with some of the remarkable protagonists of its history, be they singers or composers, poets or designers, impresarios or monarchs. Attention will also be placed on the strength and resilience of local, as opposed to national or continental, traditions, such as the ones that flourished in Rome and London in the 17th century, Naples in the 18th, or St. Petersburg in the 19th, to name a few. The course will also provide students with an appealing and vivid demonstration of the diversity of musical and literary traditions in Europe during the period between ca. 1600 and 1900. The course will end with a reflection on the current state of Western opera as performed and consumed in East Asia, with particular reference to China.
Upon successful completion of this course, students will be able to:
  • understand the history of opera in the Western world in both its relationship to social and political history and that of other major musical and theatrical genres;
  • engage competently and critically with opera performance;
  • display familiarity with at least two major works from the opera repertoire.
In-class Tests I & II 50%
Final Exam 50%
  • Introduction
  • The Nature of Opera
  • The Conventions of Opera
  • The Libretto
  • The Music
  • The Components of Music I
  • The Components of Music II
  • The Singers
  • Case Study 1: The Magic Flute
  • The Orchestra
  • Case Study 2: Turandot and the End of the Tradition
J. Merrill-Knapp, The Magic of Opera. New York: Da Capo Press, 1984.
E-books
  • The Cambridge Companion to Grand Opera  
  • The Cambridge Companion to Opera Studies
  • The Cambridge Companion to Eighteenth-century Opera
  • The Cambridge Companion to Twentieth-century Opera
Libretti
  • OperaGlass (in addition to libretti, it includes synopses and available translations)
  • Opera Folio (it contains over 500 operas’ libretti in original languages and translations)
Listening and Viewing Online
  • Music Online: Opera in Video (see HKU Library catalogue)
Other Online Resources
  • Operabase provides current news and schedules of opera performances all over the world, including Hong Kong.
  • The Metropolitan Opera offers current news about opera performances in New York and the world.
  • MetOpera Database is a place to look for previous productions of the Metropolitan Opera.
  • Aria Database is a collection of information about opera and operatic arias. It is searchable by name, opera, language, composer, voice type, range, keyword, and whether there is a sound file, translation, or text available. There are also annotated links and a list of opera houses and companies.