UNDERGRADUATE
MUSI1024 Jazz: history and appreciation
Course Type: disciplinary elective for music majors/minors, free elective for others
Prerequisite: NIL
Prerequisite: NIL
Instructor: Dr. Adam SACKS
Semester: Second Semester 2025/26
Time: 11:00am–12:50pm, Friday
Venue: CRT-11.01 Seminar Room
Semester: Second Semester 2025/26
Time: 11:00am–12:50pm, Friday
Venue: CRT-11.01 Seminar Room
This course will examine jazz from its origins to the present, its relation to other forms of music including blues, gospel, R&B, soul, etc. Different styles within the jazz genre will also be explored, including Early Jazz, Swing, Bebop, Cool Jazz, Hardbop, Soul Jazz, Bossa Nova, Post-bop, Avant Garde, etc. Special attention will also be given to pivotal figures in the history of jazz such as Louis Armstrong, Bix Beiderbecke, Duke Ellington, Count Basie, Coleman Hawkins, Lester Young, Charlie Parker, Dizzy Gillespie, Thelonious Monk, Miles Davis, John Coltrane, and Ornette Coleman. Representative and monumental instrumental and vocal recordings from the past one hundred years will also be explored. Class time will be spent listening to, analyzing, and discussing a wide variety of recorded jazz performances and watching jazz videos. Visiting artists may also be invited to perform in class and lecture on relevant topics.
Upon successful completion of this course, students will be able to:
CLO1: demonstrate the knowledge and an appreciation of various jazz styles
CLO2: demonstrate the knowledge of representative musicians of various jazz styles
CLO3: demonstrate the ability to assess a jazz performance through an informed scrutiny of its stylistic and formal characteristics
CLO1: demonstrate the knowledge and an appreciation of various jazz styles
CLO2: demonstrate the knowledge of representative musicians of various jazz styles
CLO3: demonstrate the ability to assess a jazz performance through an informed scrutiny of its stylistic and formal characteristics
- Mid-Term Review & Analysis, In-Class Presentation
- Tutorial & Lecture participation
- Final End of semester Presentation of Project
- Blues and Gospel
- Understanding Jazz and its Origins: New Orleans Jazz as Creole Art Form
- GUEST SPEAKER, Ted Lo: Origins and Development of Jazz in Hong Kong
- GUEST SPEAKER, Henry Chung: Swing & Big Band
- Jazz On Film
- GUEST SPEAKER, Henry Chung: Bebop
- Globalization of Jazz, From Symphonic to Shanghai
- Jazz in Politics, Jazz Ambassadors, Civil Rights and the Avant Garde, Spiritual and Free Jazz
- Modal and Cool Jazz, Bossa Nova, Third Stream, Hard Bop, Soul, Women in Jazz, Jazz Fusion
- The Oxford Companion to Jazz, Bill Kirchner
- The Chronicle of Jazz, Mervyn Cooke
- A New History of Jazz, Alyn Shipton
- Jazz Styles - History and Analysis, Mark. C. Gridley
- Why Jazz? A Concise Guide, Kevin Whitehead
- GUEST SPEAKER, Henry Chung: Bebop
- All required readings are available on the course Moodle.
- See syllabus for complete list