Giorgio Biancorosso - Selected Publications

Giorgio Biancorosso - Selected Publications

Books

2011	Musical Aesthetics Through Cinema. New York: Oxford University Press, forthcoming.

Chapters

2012	"Popular Music and the Aesthetics of the Self in Wong Kar Wai's Cinema." In Popular Music and the Post-MTV Auteur, ed. by Arved Ashby. New York: Oxford University Press, forthcoming
2012	"Memory and the 'Leitmotif' in Cinema." In Music and Representation, ed. by Joshua Walden. Cambridge: Cambridge University Press, forthcoming.
2010	"Global Music/Local Cinema: Two Wong Kar-wai Pop Compilations." In Hong Kong Culture: Word and Image, ed. by Kam Louie, 229-245. Hong Kong: Hong Kong University Press.
2010	"Ludwig's Wagner and Visconti's Ludwig." In Wagner and Cinema, ed. by J. Joe and S. Gilman, 333-357. Bloomington: Indiana University Press.
2009	"Sound." In The Routledge Companion to Film and Philosophy, ed. by P. Livingston and C. Plantinga, 260-267. New York: Routledge.
2007	"Melodrama, Anti-Melodrama and Performance: Rereading Le Mépris." In Il melodramma, ed. by E. Dagrada, 263-284. Rome: Bulzoni.
2004	"Film, Music, and the Redemption of the Mundane." In Bad Music, ed. by C. Washburne and M. Derno, 190-211. London: Routledge.

Articles

2010	"The Shark in the Music." Music Analysis 29 (1-3): 306-333.
2009	"The Harpist in the Closet: Film Music as Epistemological Joke." Music and the Moving Image 2 (3).
2007	"Romance, Insularity, and Representation: Wong Kar-wai's In the Mood for Love and Hong Kong Cinema." Shima: The International Journal of Research into Island Cultures 1 (1):88-95.
2006	"Music as World/Music Half Heard: The 'Cocktail-Party Effect' between Opera and Cinema." Journal of the Musicological Society of Korea 9 (2):9-36.
2001	"Beginning Credits and Beyond: Music and the Cinematic Imagination." Echo: A Music-Centered Journal 3 (1).

Review Articles

2008	"Whose Phenomenology of Music? David Huron's Theory of Expectation." Review of Sweet Anticipation: Music and the Psychology of Expectation, by David Huron. Music & Letters 89 (3):396-404.
2007	Review of Changing Tunes: The Use of Pre-existing Music in Film, edited by Phil Powrie and Robynn Stilwell. Current Musicology 83:167-173.
2004	"Micromanaging Tradition." Review of "Seeing Double: Emulation in Theory and Practice," a multi-media exhibition at the Guggenheim Museum, New York. Future Anterior: Journal of Historic Preservation History, Theory, and Criticism 1 (2):75-83.