Daniel Chua - Selected
Publications
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Books
1999 |
Absolute Music and the Construction of Meaning.
Cambridge: Cambridge University Press. |
1995 |
The "Galitzin" Quartets of Beethoven.
Princeton: Princeton University Press. |
Chapters
2006 |
"Myth: Mozart, Money, Music." In Mozart
Studies, ed. by Simon P. Keefe, 193-213. Cambridge: Cambridge
University Press. |
2006 |
"Drifting: The Dialectics of Adorno's Philosophy
of New Music." In Apparitions: New Perspectives
on Adorno and Twentieth-Century Music, ed. by B. Hoeckner,
1-17. New York: Routledge. |
2001 |
"Vincenzo Galilei, Modernity and the Division of Nature."
In Music Theory and Natural Order from the Renaissance
to the Early Twentieth Century, ed. by S. Clark and A.
Rehding, 17-29. Cambridge: Cambridge University Press. |
Articles
2007 |
"Rioting with Stravinsky: A Particular
Analysis of the Rite of Spring." Music Analysis
26 (1-2):59-109. |
2005 |
"Untimely Reflections on Operatic Echoes: How Sound
Travels in Monteverdi's L'Orfeo and Beethoven's Fidelio
with a Short Instrumental Interlude." The Opera Quarterly
21 (4):573-596. |
2005 |
"The Promise of Nothing: The Dialectic of Freedom in
Adorno's Beethoven." Beethoven Forum 12 (1):13-35. |
2004 |
"Adorno's Metaphysics of Mourning: Beethoven's Farewell
to Adorno." Musical Quarterly 87 (3):523-545. |
2004 |
"Rethinking Unity." Music Analysis 23
(2-3):353-359. |
2000 |
"Believing in Beethoven." Music Analysis
19 (3):409-421. |
Reviews
2005 |
Review of Bach and the Meanings of Counterpoint,
by David Yearsley. Music Theory Spectrum 27 (1):113-117. |
2001 |
Review of Conventional Wisdom: The Content
of Musical Form, by Susan McClary. Journal of the
American Musicological Society 54 (2):413-417. |
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