| Master
of Philosophy |
2011 |
LAW Ho Chak Goson (Musicology)
Kun Opera: A Study of Its Notations and Instrumental Sonority
| |
2011 |
LEUNG Chi Hin Michael (Composition)
New Technical Explorations in Music Composition
| |
2011 |
WANG Shuang (Musicology)
Beautified Violence: Music and Slow Motion in The Banquet (2006)
|
|
2010 |
LEONG Sau Mun Dawn-Joy (Composition)
Scheherazade's Sea - A Mixed Media, Multi-sensory Installation and
Performance
|
|
2010 |
KAM
Chi Lim Daniel (Musicology)
Contemporary Chinese Music in Hong Kong: The Wuji Ensemble, a Case Study |
|
2010 |
MUI
Yee Man (Musicology)
The Hong Kong Soundscape: Music and Sound in Johnnie
To's PTU |
|
2009 |
YIP
Ho Kwen Austin (Composition)
From Piano to Music: Original Compositions and Illustrations
Rayson Huang Scholarship in Music 2008-2009 |
|
2008 |
MOK
Kei Hon Simon (Composition)
Algorithmic Music Composition Using XML: A Constraint-Based
Approach |
|
2008 |
FU
Lok Yi Alice (Musicology)
Contemporary Cantopop: Reception of Crossover Music in Hong Kong |
|
2007 |
NG
Ka Lai Clara (Musicology)
Oppositional Forces as Social Commentary in Alban Berg's
Wozzeck |
|
2007 |
CHAN
Sze Rok (Composition)
Inspired by the Hindu Tradition: Compositions and Reflections |
|
2007 |
LAM Hon Chung
Adrian (Composition)
Original Compositions: Elements of the Musical Space
|
|
2007 |
Letty POON
(Musicology)
Piano Culture in Hong Kong: From City Hall to Harbour
City
|
|
2007 |
WONG
Hock Wei Wendy (Musicology)
Containing the German Within: The Unpublished Piano
Works of Dohnányi Ernö
|
|
2006 |
|
YOUNG Kar
Fai Samson (Composition)
Internationalism, Individualism and Chinese National
Style:
The Hybrid-Identity Composer and the In-Between Space
Rayson Huang Scholarship
in Music 2004-2005 |
|
2005 |
Angela
KANG (Musicology)
Chinoiserie as Musical Gesture |
|
2005 |
|
YANG Yuanzheng (Musicology)
Early Qin Music: Manuscript Tokyo, Tokyo Kokuritsu
Hakubutsukan TB1393 and Manuscript Hikone, Hikone-jo,
Hakubutsukan V633
Li Ka Shing Prize 2003-2005
Rayson Huang Scholarship in Music 2003-2004
Outstanding Research Postgraduate Award 2004-2005 |
|
2005 |
CHEUNG
Kwok Hung Stephen (Musicology)
Traditional Folksongs in an Urban Setting: A Study
of Hakka Shange in Tai Po, Hong Kong |
|
2004 |
|
Fiona CHUNG (Composition)
Reflections on the Relations Between Note and Word: Original Compositions in Music and Poetry |
|
2003 |
GO Kin
Ming Joseph (Musicology)
Nostalgic Musicians in North Point: A Survey of Fujian
Nanyin Activities in Fujian Tiyuhui,
From 1957 to the Present |
|
2003 |
TSANG Yik Man Edmond (Musicology)
Beethoven in China: The Reception of Beethoven's Music
and Its Political Implications, 1949-1959 |
|
2003 |
Oswaldo
DA VEIGA JARDIM NETO (Musicology)
The Role of the Military and Municipal Bands in Shaping
the Musical Life of Macau, ca.1820 to 1935 |
|
2003 |
|
John William VON SEGGERN
(Musicology)
Network Effects: The Development of Music in Cyberspace |
|
2002 |
CHENG
Yu Sum Anthony (Composition)
An Application of Arnold Schoenberg's Gedanke
Manuscript as a Blueprint Theory for a Portfolio of
Original Compositions |
|
2002 |
CHONG Siu Ping Amy (Musicology)
The Chansons of Claudin de Sermisy in Attaingnant's
Chansons nouvelles and Other Early Collections |
|
2002 |
Daphne
LEE (Musicology)
The Transmission of Qin Music: The Analysis
of Four Versions of the Composition Pingsha Luoyan |
|
2002 |
|
WONG Siu Chun Jenny (Musicology)
Robert Volkmann's Piano Trios, Op. 3 (1842-1843) and
Op. 5 (1850):
A Study of Sources and Style
Rayson Huang Scholarship
in Music 2000-2001 |
|
2001 |
HO Wai
Chung Anthony (Musicology)
The Highland Bagpipe in Hong Kong: A Study of Its Role,
Function and Development |
|
2001 |
|
LEUNG Lai Yue Ciris (Musicology)
The Social Organization of a Cantonese Opera Performance
Rayson Huang Scholarship
in Music 1998-1999 |
|
2000 |
HUI Yu
Chun Lorena (Musicology)
Japanese Noh Theatre: The Aesthetic Principle
of Jo-ha-kyû in the Play Matsukaze
Rayson Huang Scholarship
in Music 1997-1998 |
|
2000 |
|
MOK Kin Yee Raymond (Composition)
Confronting a Different Idiom: Five Compositions for
Chinese Instruments |
|
2000 |
MUI Kwong
Chiu (Composition)
Exploration in New Music: Portfolio of Compositions
and Analysis |
|
1999 |
|
CHAN Tong Ti Trudy (Musicology)
Così Fan Tutte on Video
Li Ka Shing Prize 1997-1999
Rayson Huang Scholarship in Music 1994-1995 |
|
1999 |
Tracy
CHAN (Musicology)
The Development of Musicals in Hong Kong |
|
1999 |
|
MAN Oi Kuen Ivy (Musicology)
Cantonese Popular Song in Hong Kong in the 1970s: An
Examination of Musical Content and Social Context in
Selected Case Studies
Rayson Huang Scholarship
in Music 1996-1997 |
|
1999 |
Rawin
PANYANITI (Musicology)
Bartók as Ethnomusicologist and Composer: Folk Music
and Art Music Influences on His Musical Language |
|
1998 |
|
Usa KIATVONGCHAROEN (Musicology)
Analytical Approaches to Three of Debussy's Préludes
for Piano |
|
1998 |
POH Tse
Tse Jennifer (Musicology)
The Use of Music Therapy in the Treatment of Autistic
Children with Special Reference to Hong Kong
Rayson Huang Scholarship
in Music 1995-1996 |
|
1997 |
|
YIP Lam Christine (Musicology)
The Performances of J.S. Bach's Music in the Hong
Kong Arts Festival:
A Case Study of Bach Reception
in Hong Kong
Rayson Huang Scholarship
in Music 1993-1994 |
|
1996 |
KAO Shu
Phyllis (Musicology)
Affective Gesture in J.S. Bach's Keyboard Music with
Special Reference to Selected Works in D Minor
Rayson Huang Scholarship
in Music 1993-1994 |
|
1996 |
|
NG Pong Wai Brenda (Musicology)
The Development in Hong Kong of Commercial Popular
Songs in Cantonese |
|
1995 |
NG Chun
Hoi Daniel (Composition)
Original Compositions for Young Musicians |
|
1994 |
|
TAM Wing Kei Ruth (Musicology)
Accent Markings in Schubert's Piano Sonatas |
|
1993 |
KOO Chat
Po (Composition)
Six Music Compositions |
|
1990 |
Tony WHEELER (Composition)
Compositions for Chinese Instruments |
|
1988 |
CHAN
Siu Ying Susan (Musicology)
Hans von Bülow as an Editor of Keyboard Music
Rayson Huang Scholarship
in Music 1987-1988 |
|
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