Youn
Kim's monograph, History of Western Music Theory (2006, printed
in Korean), examines various Western music theoretical writings and systems
from approximately the sixteenth century to the present. It is one of
the few books on the history of Western music theory written by a single
author. Attempting to provide a monolithic narrative is, however, far
from the author's intention. The book takes a more comprehensive approach
rather than following the chronological sequence. While generally following
the sequential and topical scheme of the traditional historical narrative,
the book also assimilates the "thematic" approach by examining history
of music theory through several recurring ideas or models, such as "nature,"
"number," and "science."
The book aims not only to provide a unique introduction to the intricate history of music theory, but also and more importantly to pose questions that lead to a broader understanding of the history of music theory and music theory as a whole. The author locates various music theoretical systems in the broader historical, intellectual, and socio-cultural surroundings, and looks into the interrelationship between music theory and other disciplines, as well as contemporary musical practice. Through this process of contextualization, the constructed nature of music theoretical discourse is illuminated. Table of Contents |
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